Armand Ambrosini, clarinet (Session I & II) has
been a recitalist, chamber musician and teacher throughout the United
States. He is a founding member of the Cordier Chamber Ensemble, which
has commissioned several new compositions and toured extensively throughout
the east coast. He has served on the faculty at the University of Nebraska-Lincoln,
Humboldt State University and is currently on the faculty at the University
of Oklahoma. He holds a BFA and MFA degree from the California Institute
of Arts, a MM degree from Yale University, and a DMA degree from the
State University of New York at Stony Brook. He recently coauthored
a music appreciation textbook entitled An Introduction to Concert Music
in Society.
Terrie
Baune, violin (Session I) is currently Concertmaster of the
North State Symphony based in Chico and Redding, CA, and co-Concertmaster
of the Oakland East Bay Symphony. She is also a member of two professional
new-music chamber ensembles — the Earplay Ensemble and the Empyrean
Ensemble, in residence at UC Davis. Ms. Baune’s professional orchestral
credits include four years as a member of the National Symphony Orchestra
of Washington D.C. and concertmaster positions with the Fresno Philharmonic
and the Santa Cruz County Symphony. For over twenty years, Ms. Baune
held the position of Concertmaster of The Women’s Philharmonic.
The Women’s Philharmonic disbanded in 2004, but through her ongoing
work with living composers Ms. Baune continues to be regarded as a strong
advocate for new music as well as a fine interpreter of the classic
repertoire.
Lisa
Byrnes, flute (Session I & II) is a graduate of the Curtis
Institute, where she studied with Julius Baker and Jeffrey Kahner; and
holds a masters degree from the San Francisco Conservatory, where she
studied with Tim Day. For many years a free-lance chamber and orchestral
player, soloist and teacher in the Bay Area, she is currently assistant
principal flutist of the Utah Symphony in Salt Lake City.
The third generation bassist in his family, Charles DeRamus,
bass (Session I & II) is currently a member of Sweden’s
national orchestra, the Gothenburg Symphony Orchestra. Previously he
has served as principal bass of the NorrlandsOperan (Sweden), been a
member of the New World Symphony, and worked extensively with the Atlanta
Symphony Orchestra, Houston Symphony, and Swedish Radio Symphony Orchestra.
His Studies include degrees from Indiana University, Rice University,
and participation in numerous summer festivals. Charles is currently
a faculty member at the Idyllwild Arts Summer festival, has served on
the faculties of All-State at Interlochen and the University of Michigan
Summer Arts Institute, and has given guest masterclasses in England
at the Royal College of Music and the Yehudi Menuhin School.
Courtney
Sedgwick Filner, Assistant Director and Viola (Session I & II) is a native of Minnesota and is currently a member of the San Antonio and Austin Symphonies, and has previously been a member of the Richmond Symphony, the Florida Philharmonic, the New World Symphony, and the San Diego Symphony. She has been a member of the Colorado Music Festival viola section since 2001, and has been coaching, performing and doing a wide variety of administrative work for the Sequoia Chamber Music Workshop since 2004. She is also the violin and viola instructor at Texas Lutheran University and a registered Suzuki teacher of violin and viola.
As a member of the Ansonia Quartet and the New World Symphony Chamber Players, Courtney has performed chamber music in such venues as the Guggenheim in Bilbao, Spain, the Isabella Stuart Gardener Museum in Boston, Teatro Nationale in San Jose, Costa Rica, and Carnegie Hall in New York. Courtney holds a Bachelor of Music from Oberlin Conservatory, and a Master of Music from U.C.L.A.
David
Filner, Executive and Artisitic Director/Viola (Session I & II) was named director
of Sequoia in November 2002, having been a participant, dorm monitor
and coach since first attending Sequoia in 1986. He received undergraduate
degrees in English and Viola Performance from Oberlin College and a
Masters Degree in Viola Performance from Rice University. As a chamber musicians he won prizes
in both the Coleman and Fischoff Chamber Music Competitions with the
Basmati String Quartet. As an orchestral musician he has held positions as Assistant Principal
Violist of both the Alabama and Charlotte Symphony, Principal Viola of the Knoxville Symphony and as a member of the New World Symphony. He has been the Vice President and General Manager of the San Antonio Symphony since 2007.
Ethan Filner, Associate Director/Viola (Session
I and II), studied viola and chamber music with
Atar Arad, Roger Chase and James Dunham at
Indiana University-Bloomington, the Guildhall
School of Music & Drama in London, and
New England Conservatory in Boston. As the
Faculty (Subject to change)
violist of the San Francisco-based Cypress
String Quartet since 2001, he has performed,
recorded, commissioned, premiered and
coached chamber music throughout the U.S.,
Mexico and Europe. From 2003-2009 he taught
viola and chamber music at San Jose State
University, where the Cypress was Quartet-in-
Residence. He first attended Sequoia in 1989.
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Leighton
Fong, Cello (Session I & II) A
longtime member of the Left CoastChamber Ensemble, Mr. Fong also serves as Principal Cellist with the California Symphony and teaches cello and chamber music at UC Berkeley.
He plays regularly with the SF Contemporary Music Players and the Empyrean Ensemble. A recipient of grants from the Beebe Foundation and the American-Scandanavian Foundation, he studied in Copenhagen, Denmark
and Bern, Switzerland. Mr. Fong is a graduate of the New England Conservatory and the San Francisco Conservatory, where his teachers included Bonnie Hampton, Timothy Eddy and Gary Hoffman. Mr. Fong has also attended the Tanglewood Festival and performed at music festivals in Banff and Blue
Hill,
Maine.
William
Harrington, horn (Session I & II) is principal horn with Berkeley Opera and also performs regularly with the Modesto Symphony and Brassworks of San Francisco. Over his 30 years as a professional hornist, he has performed with every professional orchestra, opera, ballet and musical theater company in the Bay Area. A graduate of the San Francisco Conservatory and California State University, East Bay, he is now Chair of the Music Department at Patten University, Oakland, where he directs the university orchestra, chamber music and music education programs. He has been attending Sequoia since 1996.
Carol
Jacobson, cello (Session I & II) holds a BA from HSU, with
further studies at the Salzburg Mozarteum, the Royal Danish Conservatory
and the Royal Conservatory-the Haugue. She was formerly a member of
the Dutch National Ballet Orchestra, the Netherlands Radio Symphony,
and the North Coast Chamber Players. She presently directs the Eureka
Symphony Orchestra as well as the Arcata High School Orchestra. She
also teaches studio cello at Humboldt State University.
Sharon Kuster, bassoon (Session I & II) is in her 27th season as the Principal Bassoonist of the San Antonio Symphony. She obtained her Bachelor of Music degree from the University of California where she studied with the late Norman Herzberg. Prior to joining the SA Symphony, Sharon was with La Orquesta Sinfonica de Veracruz in Mexico. Summer festivals have included the Breckenridge Music Institute in CO, Sunriver Music Festival in OR, Cactus Pear Music Festival in San Antonio, Masterworks Festival in Indiana, and she is in her 19th summer with the Grand Teton Music Festival in Wyoming. Sharon also plays with the Olmos Ensemble, a chamber music group in San Antonio, and teaches privately.
Born
in Bulgaria, Daniela Mineva, piano (Session I & II) began
piano lessons at the age of five with her mother as her first teacher. Her
unique approach to standard repertory, combined with the performance and
dedication of works by living composers, make her in demand as one of the
most promising young concert artists of our time. Orchestral engagements and
solo recitals included the most prestige venues in Bulgaria, USA, Italy,
France and Russia. Ms. Mineva has won prizes from numerous international and
national competitions including the 2007 Jean Francaix piano competition in
Paris, France and the 1998 Steinway International Piano Competition. She has
also premiered and commissioned works by many North American and European
masters. An award-winning and devoted music educator, Dr. Mineva has
presented master classes and lectures throughout U.S and Europe and has
taught at renowned institutions including Eastman School of Music, Hochstein
School of Music-Rochester, NY and Blue Lake Fine Arts Camp in Michigan.
Currently, she is Assistant Piano Professor at the Humboldt State University
Music Department.
Cindy
Moyer, violin (Session I & II) attended the Eastman School
of Music where she earned a Bachelor, Master and D.M.A in performance
and a MA in Music Theory. Currently Cindy is an Associate Professor
of Music at Humboldt State University in Arcata, CA, where she teaches
violin, viola, chamber music, theory, ear training, and music appreciation.
Her orchestral performance experiences include playing in the Rochester
Philharmonic, the New Haven Symphony, and the Sinfonia da Camera (Urbana,
Illinois) In addition, she is a frequent presenter at the California
Music Educators Conference, was one of the authors of the American String
Teachers Association String Syllabus, and has served as president of
the California Orchestra Director’s Association.
Thomas
Nugent (oboe I & II) holds a Bachelor of Music from the
San Francisco Conservatory of Music where his major teacher was Marc
Lifschey. He is currently visiting professor of Oboe at University of
the Pacific, principal oboe with the Sacramento Philharmonic Orchestra,
a founding member of the Left Coast Chamber Ensemble, and a member of
the Pacific Arts Woodwind Quintet. He has performed with the San Francisco
Symphony, San Francisco Opera, San Francisco Ballet, San Jose Symphony,
and Oakland Symphony. He has performed as a soloist with the Diablo
Ballet, San Francisco Choral Artists, and for the American Guild of
Organists.
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